Here is an extraordinary piece of work, prepared with precision and mastery by the excellent guitarist and composer, Jean-Pierre Grau.
This volume of virtuoso instrumental technique for guitar creates a well thought out journey of rare precision. It comes as an absolute reference, a condensation of the past, as well as a projection into the future. Specic examples will facilitate learning and growth for students in the clearest and most essential manner.
Jean-Pierre Grau presents to the world of guitarists their fundamental and essential bible.

Daniel Tosi
Director of Conservatory of Perpignan-Méditerranée
First prize of Rome of composition, Prize George Enesco

This third and final volume of Reaching toward Virtuosity is specifically devoted to right hand practice (alternating rest stroke/free stroke, arpeggio shifts).
Whereas the left hand defines the notes of a musical text, the right hand is essentially used for phrasing and expression.
It is this hand that, through intensity, sound colour and rhythmic interpretation, conveys our emotions, our inner feelings and our stylistic comprehension.
It is also the right hand that bears the brunt of being out of shape, stage fright and sketchy understanding of the musical text.
I therefore thought it wise to give special attention to improving mobility and alternation, in order to develop a clearer and more proficient understanding of what the right hand does.
Practice on slurring during shifts and extensions, something little or not at all addressed in specialized works, as well as several bar chord exercises in the form of amusing mini etudes, complete this trilogy of instrumental technique.
I hope that these exercises will help performers gain new sensations, freedom of movement and physical awareness, and as a result, enhance their musical choices with the fabulous sonic possibilities of our instrument.

Jean-Pierre Grau