1974 - Paris - Conservatoire National supérieur de musique - Conservatoire students
The title is taken trom Tlön, Uqbar, Orbis Tertius by the Argentinian writer Jorge-Luis Borges (1974) and is based on resonances of the note A, which move apart to recompose new objects. High notes make low notes appear, legato moves toward staccato, long notes imperceptibly become trills. These are objects which result from one to another. The piano plays a mainly percussive role and its sympathetic resonances are widely used.
Translation: Nadia Ratsimandresy
1 CD ReR, RERV1, Les Nuages de Magellan
1 CD ReR, RER0271, Messiaen et autour de Messiaen
Nadia Ratsimandresy (ondes Martenot)
Matteo Ramon Arevalos (piano)
Born in Le Havre in 1947, Tristan Murail received advanced degrees in classical and North African Arabic from the Ecole Nationale des Langues Orientales Vivantes, as well as a degree in economic science, while at the same time pursuing his musical studies. In 1967, he became a student of Olivier Messiaen [...]