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Aus Bebung

  • Category / Instrument : Clarinet and cello
  • Duration : 18'
  • Genre : contemporary
  • Sortiment : Score
  • Number of pages : 26
  • Publisher : Lemoine
  • Code : 26499
  • Published : 01/01/1995
  • ISBN / ISMN : 9790230964999


06/02/1996 - Radiostudio Zürich - Armand Angster (cl), Walter Grimmer (cello)


to Walter Grimmer and Armand Angster


Composed in 1995, the same year as Bebung (for clarinet, cello and instrumental ensemble), from which it is drawn, Aus Bebung is a long duo for clarinet and cello. It introduces, in different ways, the notion of rocking or balance that prevailed over its writing: the successive use of different fingerings for the same note, resu1ting in nuances of pitch or timbres, as well as, for example, the repeated use of suggestive rhythmic figures in the cello. as is almost always the case with Jarrell, the piece alternates passages in which predominate the exploration of instrumental colours, calm, voluptuous lines mingled, and moments when the synchronous virtuosity of the musicians is required, with a strong rhythmic armature, nuances and fast tempi. At the mid-point is a cello "cadenza" round which the four other parts are organised symmetrically.

Antoine Gindt,
Extract from CD booklet Eco (Accord)


1 CD Accord, Eco
Assonance III - Eco IIb - Aus bebung - Trei II - Essaims-cribles
Ensemble Accroche Note, Jean-Philippe Wurtz

1 CD aeon, AE1754, ...Mais les images restent...
Aus Bebung - Assonance lll - ...mais les images restent... - ...Es bleibt eine zitternde Bebung... (Nachlese lll)
Ernesto Molinari (clarinet)
Thomas Demenga (cello)
Marino Formenti (piano)
WDR Sinfonieorchester
Peter Rundel (conductor)

Die Technik der Bebung stand am Ursprung dieses Stückes. Die Bebung ist eine Art Vibrato, die der Technik und der Machart des Clavichordes eigen ist. Sie wird durch die Veränderung des Fingerdrucks auf der Taste des Instrumentes erzielt, was eine leichte Variation der Tonhöhe hervorruft. Eine einfache Anwendung dieses Prinzips in meinem Stück entsteht zum Beispiel dadurch, dass einer der Instrumentalisten einen Ton anschlägt, den der andere übernimmt und "moduliert".

Michael Jarrell



Born in Geneva in 1958, Michael Jarrell studied composition at the Geneva Conservatory with Eric Gaudibert and at various workshops in the United States (Tanglewood, 1979). He completed his training with Klaus Huber at the Freiburg Staatliche Hochschule für Musik im Brisgau. [...]


    • 05.12.2018
    • Bérénice
    • France Musique (Radio)
    • émission "Le concert du soir"
    • Barbara Hannigan (Bérénice), Bo Skovhus (Titus), Florian Boesch (Antiochus), Alastair Miles (Paulin), Julien Behr (Arsace), Rina Schenfeld (Phénice), Orchestre de l'Opéra national de Paris, Philippe Jordan (cond.)
    • Création Nationale
    • 25.10.2018
    • Assonance VI
    • Mexico City (Mexico)
    • Festival Internacional Cervantino, Auditorium Universidad Guanjauato
    • Ensembla de Camara de la Academia Cervantina, Pierre-André Valade (cond.)
    • 17.10.2018
    • Bérénice
    • Paris (France)
    • Opéra National, Palais Garnier
    • Distribution complète : cf 02/10
    • 14.10.2018
    • Bérénice
    • Paris (France)
    • Opéra National, Palais Garnier
    • Distribution complète : cf 02/10

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