Prix : 30,50 €

Add

JARRELL Michael

Trace-Ecart

  • Category / Instrument : Soprano, contralto and instrumental ensemble
  • Orchestration : 1(flA&picc).1(ca).1(clB).1(Cbn) / 2.1.1.0 / 3perc / pno.cel.org / hp / 1.0.1.1.1
  • Duration : 17'
  • Genre : contemporary
  • Sortiment : Score
  • Number of pages : 62
  • Publisher : Lemoine
  • Code : 24792
  • Published : 01/01/1984
  • ISBN / ISMN : 9790230947923
/assets/mp3/24792.mp3

Premiere

15/10/1985 - Staatliche Hochschule für Musik, Freiburg im Breisgau (Germany) - Julia Mende (S), Maria Dries (CA) - Ensemble de l'Institut für Neue Musik - Ingo Metzmacher (conductor)

Commissioned

Ville de Genève

Dedication

for Pia

Note

A "trace" is the visible sign that remains of an object now absent, but which was present. The "écart" (gap) could be seen as the time difference between the first supposed experience of this object and its repetition. Between the trace and the gap, itself a palindrome full of meaning, Michael Jarrell's piece weaves its way by means of returning, repeating, leaving and forgetting. The orchestration also corresponds to the demands of the asynchronous copy, of the "broken mirror" which binds the score and the scoring, namely a double ensemble of eight instruments (woodwind, brass and strings), two female voices (soprano and contralto) and three percussionists. The text is based on the statement of Joël Pasquier's two poems "Trace" and "Ecart" which are sung by the soprano and alto respectively. The words are broken up, and one vocal path intertwines with the other they are enriched by quotations from earlier writings, "Trace" and "Écart" by Georges Perec. The work is formed of two "veils" separated by a central section, a sort of "memory blank" which swallows up sounds in a long flowing stream ("Try to penetrate the sounds gently"), before disappearing for two bars which are geographically centrally placed. In bridging the "gap" from one veil to the other the music succeeds in returning to the "trace" (the origin), as well as in forgetting. These two words finally intermingle their differences at the end of the piece. The "écart" or gap may be that place - central and "empty" - where the work takes form.

Peter Szendy,
translated by Mary Criswick

Recording

1 CD Accord, 461 764-2
Trei II - Modifications - Eco - Trace-Ecart
Ensemble Contrechamps, G. Bernasconi


Trace-Ecart ist ein Auftragswerk der Stadt Genf und wurde am 15. Dezember 1984 in Freiburg im Breisgau vom Ensemble des Institutes für Neue Musik unter der Leitung von Ingo Metzmacher und mit den Solisten Julia Mende und Maria Dries uraufgeführt. Diesem Stück liegt ein Gedicht von Joël Pasquier zugrunde, das aus zwei Teilen - Trace und Ecart - (Spur und Abstand) besteht, die auf formater und struktureller Ebene zusammen ein Palindrom bilden. Die Alt -, beziehungsweise die Sopranstimme singen jeweils einen Teil. Bei der Aufteilung des Orchesters - zwei Ensembles sitzen auf der Bühne symmetrisch gegenüber - wurde ebenfalls dieser Forderung nach Doppelseitigkeit entsprochen und somit das reine Palindrom des Titels symbolisiert.

Michael Jarrell


JARRELL Michael

Biography

Born in Geneva in 1958, Michael Jarrell studied composition at the Geneva Conservatory with Eric Gaudibert and at various workshops in the United States (Tanglewood, 1979). He completed his training with Klaus Huber at the Freiburg Staatliche Hochschule für Musik im Brisgau. [...]

Concerts

    • Création Nationale
    • 24.12.2017
    • Eco II
    • Seoul (South Korea)
    • Post Territory Ujeongguk
    • Ensemble Mise-En, Moon Young Ha (dir.)
    • Création Nationale
    • 24.12.2017
    • Trei II
    • Seoul (South Korea)
    • Post Territory Ujeongguk
    • Ensemble Mise-En, Moon Young Ha (dir.)

Newer Works