Tristan MURAIL

Born in 1947

Biography

Born in 1947 in Le Havre, France, Tristan Murail received degrees in classical and North African Arabic (at the National School of Oriental Languages) and in economics (at the Paris Institute of Political Sciences) before turning to composition. A student of Olivier Messiaen, he won the Prix de Rome in 1971 and spent two years at the Villa Médicis. Upon his return to Paris in 1973, he founded the Itinéraire ensemble with a group of young composers and performers. The group became widely renowned for its groundbreaking explorations of the relationship between instrumental performance and many aspects of electronics. In the eighties, Tristan Murail began using computer technology to further his research into acoustic phenomena. This lead him to years of collaboration with the Ircam, where he taught composition from 1991 to 1997 and helped develop the Patchwork composition software. Tristan Murail has also taught at numerous schools and festivals worldwide, including the Darmstadt Ferienkurse, the Abbaye de Royaumont, and the Centre Acanthes. He currently is a professor of composition at Columbia University, New York.

Solo works

Attracteurs étranges (1992)
for cello

Cloches d'adieu, et un sourire... in memoriam Olivier Messiaen (1967)
for piano

Comme un oeil suspendu et poli par le songe... (1998)
for piano

Estuaire (1971/72)
2 pieces for piano

La Conquête de l'Antarctique (1982)
for ondes Martenot

La Mandragore (1993)
for piano

Les travaux et les jours (2002)
for piano

Unanswered questions (1995)
for flute

Vampyr ! (1984)
for electric guitar

Chamber music

Atlantys (1986)
for 2 synthetizers DX7 Yamaha

Feuilles à travers les cloches (1998)
for flute, violin, cello and piano

Garrigue (2008)
for bass flute (or G flute), viola, cello and percussions

Le Fou à pattes bleues (1990)
for flute (G and C) and piano

Les Ruines circulaires (2006)
for clarinet and violin

Mach 2,5 (1971)
for 2 ondes Martenot

Mach 2,5 (1976)
version for 6 ondes Martenot

Où tremblent les contours (1970)
for 2 violas

Seven Lakes Drive (2006)
for flute, clarinet, horn, piano, violin and cello

Tigres de verre (1974)
Concours du CNSM de Paris
for ondes Martenot and piano

Vision de la cité interdite (1986)
for 2 synthetizers DX7 Yamaha

Vues aériennes (1988)
for horn, violin, cello and piano

Ensemble music

Contes cruels (2007)
for 2 electric guitars and ensemble

L'Attente (1972/rev.92)
for 7 instruments

La Barque mystique (1993)
for ensemble

La Dérive des continents (1973)
for solo viola and 12 string instruments

Le Lac (2001)
for ensemble

Légendes urbaines (2006)
for ensemble

Portulan (2006)
cycle for ensemble (Feuilles à travers les cloches, Les Ruines circulaires, Seven Lakes Drive)

Serendib (1992)
for ensemble 22 players

Choral and vocal music

...amaris et dulcibus aquis... (1995)
for mixed chorus and electronic

Les Sept Paroles du Christ en Croix :
1. De Ciel et de Terre (1986/87)
for orchestra
2. Les Sept Paroles (1986/88)
for orchestra and mixed chorus

Works with electronics

Allégories (1989/90)
for 6 instruments and electronic

Bois flotté (1997)
for ensemble and electronic

Désintégrations (1982)
for 17 instruments and electronic

L'Esprit des dunes (1993/94)
for 11 instruments and electronic

Pour adoucir le cours du temps (2005)
for 18 instruments and electronic

Terre d'ombre (2003/04)
for large orchestra and electronic

Winter Fragments (2000)
for ensemble and electronic

Works for orchestra

La Dynamique des fluides (1990/91)
for orchestra

Le Partage des eaux (1996)
for large orchestra

Sables (1974/75)
for orchestra

Sillages (1985)
for orchestra

Time and again (1985)
for orchestra

Discography

Allégorie - Vues aériennes -
Territoires de l'oubli

Ensemble FA
Dominique My (conductor)
1 CD Accord, AC4658992

Complete piano works
Comme un oeil suspendu et poli par le songe... - Estuaire - Territoires de l'oubli - Cloche d'adieu, et un sourire... - La Mandragore - Les Travaux et les jours
Marilyn Nonken (piano)
2 CD Metier, MSVCD92097

Couleur de mer
Couleur de mer - L'Attente - Treize couleurs du soleil couchant - La Barque mystique
Ensemble Court-Circuit
Pierre-André Valade (conductor)
1 CD Accord, AC4659012

Désintégrations
Désintégrations - Gondwana - Time and Again
Ensemble L'Itinéraire
Orchestre National de France
Yves Prin (conductor)
Orchestre Beethoven Halle de Bonn
Karl Anton Rickenbacher (conductor)
1 CD Montaigne/Naïve, MN782175

Le Piano contemporain
La Mandragore - Cloches d'adieu, et un sourire...
Dominique My (piano)
1 CD Accord, AC205752

Mémoire/Erosion
Mémoire/Erosion - Ethers - Les courants de l'espace - C'est un jardin secret...
Alain Noël (horn), Ensemble l'Itinéraire, Charles Bruck (conductor)
Pierre-Yves artaud (flute), Ami Flammer (violin), Geneviève Renon (viola), David Simpson (cello), Joëlle Léandre (doublebass), Christian Marchand (trombone), Jacques Mercier (conductor)
Sylvie Altenburger (viola)
Jeanne Loriod (ondes Martenot), Orchestre National de France, Yves Prin (conductor)
1 CD Accord, AC4659002

Serendib - L'esprit des dunes - Désintégrations
Ensemble Intercontemporain
David Robertson (conductor)
1 CD Accord, AC4653052

Treize Couleurs du Soleil Couchant - Bois Flotté - Winter Fragments
Ensemble Les Temps Modernes
Fabrice Pierre (conductor)
1 CD Accord, AC4725112

Treize Couleurs du Soleil Couchant - Bois Flotté - Winter Fragments
Ensemble Les Temps Modernes
Fabrice Pierre (conductor)
Herbé Bailly-Basin (video artist)
1 DVD Accord, AC4725109

Winter Fragments
Winter Fragments - Unanswered Questions - Ethers - Feuilles à travers les cloches - Le Lac
Argento Chamber Ensemble
Erin Lesser (flute)
Michel Galante (conductor)
1 CD aeon, AECD0746

Bibliography

Dans le contexte
Julian Anderson
Entretemps n°8, 1989

Front the philosophical to the practical. The music of Tristan Murail
Claude Ledoux
Contemporary Music Review n°19, London, 2001

In Harmony. The music of Tristan Murail
Julian Anderson
The Musical Times, juin 1993

An interview with Tristan Murail
Anton Rovner
Century Music, 1998

Introduction to the pitch organization of French spectral music
François Rose
Perspectives of New Music n° 34 (2), 1996

Modèles et artifices
Textes de Tristan Murail, réunis par Pierre Michel
Presses Universitaires de Strasbourg, 2004

Les modèles perceptuels par simulation instrumentale dans les oeuvres de Tristan Murail
Éric Humbertclaude
Dissonance n° 13, 1987
Repris dans La Revue musicale n° 421-424

Musiques spectrales : nature organique et matériaux sonores au XX° siècle
Pierre-Albert Castanet
Dissonance n° 20, 1989

Mutation de l'écriture : Eclat, Stria, Désintégrations
Philippe Schoeller
InHarmoniques n° 1, Ircam-Centre Pompidou, 1986

Notes sur Gondwana
Marc-André Dalbavie
Entretemps n° 8, 1989

Le reflet d'une oreille dans Vingtième siècle. Images de la musique française
Éric Humbertclaude
Textes et entretiens, SACEM/Papiers, 1986

La Transcription dans Boulez et Murail - De l'oreille à l'éveil
Humbertclaude Eric
Editions de l'Harmattan, 1999

Tristan Murail
Textes réunis et présentés par Peter Szendy
Collection "Compositeurs d'aujourd'hui"
Editions Ircam-Centre Georges-Pompidou, Paris, 2002

Tristan Murail - Une expression musicale modélisée
Garant Dominic
Editions de l'Harmattan, 2001

L'univers de Tristan Murail
Marc Texier
Résonance n° 1, Ircam/Centre Georges-Pompidou, 1992

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