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MURAIL Tristan

Mach 2,5

  • Category / Instrument : 2 ondes Martenot
  • Duration : 8'
  • Level : 5
  • Genre : contemporary
  • Sortiment : Score
  • Number of pages : 9
  • Format : 34 x 27 cm
  • Publisher : Lemoine
  • Code : 28245
  • Published : 01/07/1971
  • ISBN / ISMN : 9790230982450
/assets/mp3/28245.mp3

Premiere

02/02/1972 - Paris - Salle Cortot - Françoise Pellié - Tristan Murail

Note

The Ondes Martenot was not highly respected at the time Mach 2,5 was composed. It was generally regarded dubiously or with condescension, as if it were only appropriate for somewhat "old fashioned" music, or to provide film score sound effects.
This point of view now seems a bit ludicrous, considering to what extent electronic sound has evolved. Writing methods of the fifties and sixties have now vanished, and with them the inability to perceive new sonic realities - electronics, computer sounds, but also new instrumental sounds - irreducible in the classical definition of sound by "parameters".
In retrospect, Mach 2,5 remains particularly interesting to me as initial evidence of a new attitude toward sound: the Ondes Martenot is now accepted as what it is, meaning a sophisticated generator of electronic sounds, and not as a substitute for a voice or saxophone, or as a source of Hollywood-style sounds. Subsequently, my fascination expanded to include all electronic instruments and systems of synthesis as they were created, and continues through to today's extraordinary developments.
Mach 2,5 was written rather quickly after a period of research on the instrument. This allowed the music to flow very naturally from characteristics particular to the Ondes Martenot taken to their extremes: phenomena of resonance, false polyphonies provoked by using extremely fast trills and beating. The piece is basically played on the keyboard, and includes none of the melodic "ribbon" effects dear to Messiaen. The extreme speed that is possible on the keyboard, combined with the use of resonant loudspeakers, allows the instrument, even though is monophonic, to create masses of moving sound, and it is this haze of sounds that creates the piece's structure: an impression of speed within immobility.

Tristan Murail

Recordings

1 CD ReR, RERV1, Les Nuages de Magellan
Ensemble Volta

1 CD Société Nouvelle d'Enregistrement, SNE574CD, Ensemble d'Ondes de Montréal


MURAIL Tristan

Biography

Born in Le Havre in 1947, Tristan Murail received advanced degrees in classical and North African Arabic from the Ecole Nationale des Langues Orientales Vivantes, as well as a degree in economic science, while at the same time pursuing his musical studies. In 1967, he became a student of Olivier Messiaen [...]

Concerts

    • Création Nationale
    • 27.06.2019
    • De pays et d'hommes étranges
    • Munich (Germany)
    • Prinzregententheater
    • Jean-Guihen Queyras (vlc), Münchener Kammerorchester, Clemens Schuldt (cond.)
    • Création Nationale
    • 01.06.2019
    • Cailloux dans l'eau
    • Tongyeong (South Korea)
    • Concert Hall
    • François-Frédéric Guy (pno)
    • 18.05.2019
    • Cailloux dans l'eau
    • Muzy (France)
    • Festival Eure poétique et musicale
    • François-Frédéric Guy (pno)
    • 07.05.2019
    • La Barque mystique
    • Los Angeles (United States)
    • Festival Hear Now, Université de Californie
    • Ensemble TM+, Laurent Cuniot (cond.)

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